Last weekend we went to a wonderful sculpture park, full of quirky artworks amongst acres of forest. Some were monumental, and some tiny, like these little people leaping through the trees- they are about 30cm tall, and at head height on their rusty plinths.
The things we liked best though were the shiny ones that made you look twice. These balls were floating in the stream and could be moved around if you could reach them.
This next picture looks as though the centre section has been pasted in but that's just how I photographed it! There were several tall narrow mirrored pyramids which reflected the surrounding trees and the other sculptures (also strange old women in pink trousers..).
A sort of two-for-one optical illusion.
The reflected sculpture here reminded me of a dreamcatcher.
This ghostly (or ghastly) figure was making off through the bracken on a penny farthing bicycle.
And the picture at the top? Who would guess that the inside of an old concrete mixer lorry would look so beautiful?
I'm afraid I don't have the names of the sculptors, but this is the link to the Sculpture Park:
https://www.thesculpturepark.com
Yesterday's art day on the Birtley estate was a great success! As well as the beautiful woodland, there was a charcoal burn in progress, which provided plenty of inspiration for drawing, as well as some wonderful fragrant woodsmoke.
I hardly had time to demonstrate techniques before my four enthusiastic participants had taken to charcoal sketching, and later monoprinting.
There are plenty of other interesting things to draw at the barn (especially if rain drives us under the awning as it did now and then). This is a special woodsman's chopping block with knobs for holding the wood whilst working on it. I love the organic shape of it, and the legs make it look as though the whole thing is about to run away into the woods..
Marcus produced this great drawing of the charcoal kilns, using the appropriate medium of charcoal.
Prints drying in the barn. Campbell chose to use a rust red colour to show the rusty metal of the kilns, and monoprinting is excellent for giving texture.
Tea at lunchtime was provided by the alfresco stove and kettle- it has a lovely taste of smoke, rather like lapsang souchong.
Monoprinting is a versatile technique which produces unpredictable results, and as soon as they had a go, everyone had different ideas for using it.
Lindsey (left) and me at the charcoal burning kilns.
And sometimes a photograph is all you need to record a natural work of art:
The next art day is on Tuesday 16th August. If you're interested you can contact me on:
surprisinglines@gmail.com
